JPEG is an attempt to explore the unique contradictions present in our state of photography – a state caught in a complicated flux between digital and analogue mediums. The distinctive corruption of a JPEG file serves as a visual parallel to the staining, scratches, and dust that plagues old negatives. It is a reminder for many that memories, even on virtual disks, will not last forever. Moreover, it is a distinctly identifiable indicator of “digitalness.”


These photographs are shot on film and then scanned as image files. Following this, they are converted to text (.txt) format, and then undergo a process of manual text manipulation – the source code of the image file is altered, rearranged, added onto (with literature and discourse excerpts), and manipulated in every way possible. The result is a distorted, ghosted, and rearticulated image that is not post-processed in Photoshop, but through the actual, virtual code – utilizing most basic building blocks of digital imagery.


The final images are then re-printed as digital negatives and contact-printed through a method of Calotype printing (commonly referred to as Salt Prints) – Calotypes are one of the oldest photographic processes, and take on a distinct look – resonating with the viewer an undeniably “aged” appearance. They are one of a kind, and emanate their own distinct sense of truth and authenticity.


To read a complete text, please visit this link: JPEG by Arseni Khamzin.