Letter play.

You might have to get up and step back to read this.




“It was a snap, and with a promise to myself, it was on. After the catch and disposal of the first resident mouse, believing that there was only one, I halfheartedly promised that the next catch would be dedicated to the scanner. With the promise in place, soon came the unwelcome snap of metal to wood. My stomach sank in disgust. I pulled on rubber gloves, pried back the metal armature, and placed the Stuart Little-like figure onto the scanner bed. I positioned the body into a half ‘A’, removed the gloves, scanned, repositioned the other half and repeated. I continued the procedure with disgust, and it wasn’t until around ‘M’ that I began to feel comfortable with the mouse-handling. Things were going smoothly – but as time dragged on science rapidly took over and rigor mortis set in. The last few letters were a dirty task, as I had to flex Fivel into place. I managed to straighten out the last leg of the ‘Z’, and with the sixty-fourth scan complete, I had achieved almost exactly what I had dreamed of. As time went on a multitude of mice followed the initial two. I eventually moved out.”
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Recently finished painting. Going on show at the Grid Gallery in Nelson BC next month.
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Hey Chris, thanks for the comment… your dad is a wise man.
So the process on the Chinatown piece is kind of greasy. First I spelled the letters out in mustard on a piece of glass, then I scanned the glass. I then stood it upright to get the drips and smudged it, then I scanned it again and compiled the two. I don’t really know why I used mustard, but it seemed to work out.
I love the mouse story. I remember my father teaching me from an early age, “there’s no such thing has a mouse, only mice.” I can fully relate to this story — great job! I absolutely adore that Chinatown piece and would love to hear the process!